Carmen circa 2012. See Bizet's beloved opera classic in a grand, new interpretation. The work's timeless music remains unchanged, as does its passion. But in this interpretation, the scene for the story has been shifted from 19th century Spain to modern-day Sweden. In fact, Carmen lives right here in the Umeå neighbourhood of Ålidhem...
It's true what they say:
really good art never goes out of fashion. Carmen
premièred back in 1875 and still captivates its audiences
with immortal numbers like Habanera and
the Toreador Aria. The fact is that most of
us can hum these melodies, perhaps without even knowing where they
are from.
The story of the hot-tempered,
charismatic main character with enormous romantic problems has been
told countless times in opera houses the world over. In the
original, she is a Romany cigarette factory worker living in Spain
in the early 1800s. But there's no reason to do exactly the same
thing you've always done, points out director Helena Röhr.
Most often, Carmen is given a
shallow portrayal as a vamp whose only function is to please the
men around her. You might think that the text in the aria
Habanera, for example, is about sex. But listen
closely, and you'll see that it's actually about love. "It's high
time we portrayed some other sides of Carmen," says
Röhr.
For this reason, the Carmen in
Röhr's rendition lives in the Ålidhem neighbourhood in Umeå. Apart
from the fact that she's Carmen, of course, she's also a bit like
any other everyday person - someone who we can see ourselves
reflected in here and now. After all, who hasn't had a bad romance
or been harrowed by the winds of internal emotional hurricanes? And
who hasn't felt at one time or another that life hasn't really
turned out the way we had imagined it?
Haunted by their own and others'
ideals about how a person should be, Carmen and her friends fight
for true and equal love in a world we all recognise.
The musical setting is just what it
should be in a grand opera. Together, the wonderful soloists, led
by Susanne Levonen and Miriam Treichl, together with
NorrlandsOperan's Symphony Orchestra, a choir and children's choir
(on début in Carmen) will raise the roof in March.
Music: Georges
Bizet
Libretto: Henri Meilhac och
Ludovic Halévy
Swedish translation: Ulricha
Johnson
Conductor: Rumon
Gamba
Director: Helena
Röhr
Set Design and Costumes:
Ann-Sofi Nyberg
Choreography: Maria
Naidu
Lighting: Miriam
Helleday
Make-up Design: Robin
Karlsson
Choir Manager: Orwar
Eriksson
Cast:
Carmen: Susanna
Levonen/Miriam Treichl
Don José: Daniel Frank/Ulrik
Qvale
Escamillo: Olle
Persson
Michaela: Rebecca
Rasmussen
Zuniga: Ludvig
Lindström
Frasquita: Karin
Andersson
Mercedes: Natalie
Hernborg
Morales/Dancaïro: Johan
Hallsten
Remendado: Fredrik af
Klint
Lillas Pastia: Anton
Karlsson
NorrlandsOperan Choir
NorrlandsOperan Children´s
Choir
NorrlandsOperan Symphony
Orchestra